Plot in a nutshell: A retired detective suffering from acrophobia takes the case of an old college chum's wife, who may be possessed by the spirit of her great-grandmother who committed suicide many years previous. In 1996 a new print of Vertigo was released, restoring the original grandeur of the colors and the San Francisco backdrop, as well as digitally enhancing the soundtrack. A tense, dizzying thriller from the Master. Here tragedy strikes, and each twist in the movie's second half changes our preconceptions about the characters and events. After saving her from suicide, Scottie begins to fall in love with her, and she appears to feel the same way. Bernard Herrmann was probably the least affected, but his future was inextricably tied to Hitchcock's. It was undoubtedly a harsh blow, and it is interesting to see how it affected the lives of those involved. He hesitantly agrees, and thus begins the film's wordless montage as Scottie follows the beautiful yet enigmatic Madeleine through 1950s San Francisco (accompanied by Bernard Herrmann's hypnotic score). Vertigo's critical and commercial fizzle in 1958 is infamous. A former San Francisco police detective juggles wrestling with his personal demons and becoming obsessed with the hauntingly beautiful woman he has been. Elster's wife, Madeleine ( Kim Novak), has been possessed by a spirit, and Elster wants Scottie to follow her. In the apartment of his ex-fiance, Scottie and Midge discuss his career plans in light. A colleague falls to his death in an attempt to rescue Scottie as he looks on in horror. Scottie then retires from his position as a private investigator, only to be lured into another case by his old college friend, Gavin Elster ( Tom Helmore). While pursuing a criminal across the rooftops of San Francisco, detective Scottie Ferguson slips and finds himself dangling from the gutter of a tall building. ![]() It opens as Scottie Ferguson ( James Stewart) realizes he has vertigo, a condition resulting in a fear of heights, when a police officer is killed trying to rescue him from falling off a building. Set in San Francisco, the film creates a dizzying web of mistaken identity, passion and murder after an acrophobic detective (James Stewart) rescues a. Dismissed when first released, later heralded as one of director Alfred Hitchcock's finest films (and, according to Hitchcock, his most personal one), this adaptation of the French novel D'entre les morts weaves an intricate web of obsession and deceit.
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